A patron asked for this book. No library on Long Island owns it; only a handful of academic libraries do own it. Curious, I looked into it a bit. I found two reviews in the
Guardian (UK). One, by Linda Grant (author of
The Clothes on Their Backs, which I tried to read and didn't like), is not favorable (and with her own political views, in fact, sprinkled in):
Revelatory as this reopening of the interred past may be for Israeli readers force-fed on the victors' version of history, the novel has a strongly didactic tone, as if one of the country's New Historians had turned their hand to fiction.
A second review, by the Guardian's Middle East editor,
Ian Black, is favorable. He titles his review
Palestine's catastrophe foreshadowed, and subtitles it I
sraeli writer Alon Hilu's acclaimed historical novel tackles the most sensitive of Zionist taboos head-on.
Edward Said's Orientalism has been invoked by some to deconstruct the book's themes of sexual and colonial domination. But it is the menacing shadow of future catastrophe – the unique experience of the Palestinian nakbah – that gives the story both its dramatic force and contemporary relevance: moves are under way in Israel to stop official funding for nakbah commemoration.
While Grant concerns herself with literary criticism, and tells of its being changed some from its original Hebrew writing to the English translation, Black writes about Hilu himself.
Hilu says his own taboo-breaking views were partly moulded by his background: parents who immigrated to Israel from Syria and who did not share the dominant Ashkenazi (European Jewish) experience, with its emphasis on the Holocaust, and with no affinity for Arab life, language and culture.
The author's
website has some blurbs from favorable reviews.
Sounds quite interesting.
