Looking for Jean Renoir's film, I found this book written by Ted Allbeury. Kirkus gives it quite a review:
Superbly crafted thriller set during the Cold War, about which it is now
possible to feel nostalgic.Ursula Jaeger is remarkable not just for her
beauty, intelligence, and gentleness. She also has second sight: show
her a picture of Ronald Reagan, for instance, let her study it, and she
can tell you much of what occupies his mind. This ability quite
naturally has big-time spying organizations salivating. At the moment,
the KGB has her, the CIA wants her, and England's SIS thinks it knows
how to steal her. David Fisher, a top-flight agent stationed in Germany,
draws the assignment to kidnap Ursula as she visits her father in East
Berlin. Being the clever, resourceful professional that he is, Fisher
carries it off without a hitch. But naive, duped Ursula is anything but a
professional. She's terrified, and it unavoidably becomes part of
Fisher's job to reassure and calm her sufficiently so that she can be as
productive for the West as she was for her former masters. He brings
that off too, but in the process an unexpected thing happens to icy,
self-sufficient Fisher. For the first time in his life, he falls in
love. Meanwhile, the Americans have soured on "Operation Aeolus." They
want the mission aborted and the package (read: Ursula) returned.
Fisher, of course, understands that to do so is tantamount to consigning
his beloved to Lubyanka and the far-from-tender mercies of a vengeful
KGB. Carefully, guilefully, he plans an escape for them both, but as all
veteran readers know full well, the cold is a hard place to come in
from.Literate, intricately plotted, full of believable and appealing
characters: Rules of the Game shows the impressive and still-underrated
Allbeury (Show Me a Hero, 1994, etc.) at the top of his game
Saturday, May 18, 2013
Jean Renoir
Having read about a Clifford Odets play being staged, I read his Wiki biography, wherein Jean Renoir is cited: Renoir dedicated a chapter of his autobiography to his friendship with Odets.[54]
That led me to look up Renoir, and read about him; I took his memoirs off the shelf, and read that chapter referred to above. I also read about his films. These are three of his works:
The Rules of the game (1939): A comedy drama set on the eve of World War II. It contrasts the affairs of the French aristocracy and the working class at a weekend house party. Masters and their servants are involved in an immoral erotic charade that builds to a shattering climax.
Grand illusion (1938): A classic tale of adventure. Duty and honor conflict in a German prisoner of war camp during World War I, when an aristocratic French officer becomes friends with the commandant yet must cooperate with his comrades in a daring escape.
Boudu saved from drowning Boudu sauvé des eaux (1932): A well-off bookseller rescues a tramp from a suicidal plunge into the Seine and his family dedicates itself to reforming him. He shows his gratitude by shaking the household to its foundations, challenging the hidebound principles of his hosts.
That led me to look up Renoir, and read about him; I took his memoirs off the shelf, and read that chapter referred to above. I also read about his films. These are three of his works:
The Rules of the game (1939): A comedy drama set on the eve of World War II. It contrasts the affairs of the French aristocracy and the working class at a weekend house party. Masters and their servants are involved in an immoral erotic charade that builds to a shattering climax.
Grand illusion (1938): A classic tale of adventure. Duty and honor conflict in a German prisoner of war camp during World War I, when an aristocratic French officer becomes friends with the commandant yet must cooperate with his comrades in a daring escape.
Boudu saved from drowning Boudu sauvé des eaux (1932): A well-off bookseller rescues a tramp from a suicidal plunge into the Seine and his family dedicates itself to reforming him. He shows his gratitude by shaking the household to its foundations, challenging the hidebound principles of his hosts.
Labels:
Film,
Social conditions,
World War I,
World War II
Thursday, May 9, 2013
The Man Who Wasn't There (2001)
After reading The Stranger, by Albert Camus, I googled the term Camus, and got this result: http://goo.gl/ir4wz
Many critics have also noticed a striking resemblance between the film and Albert Camus' The Stranger. [3]
Many critics have also noticed a striking resemblance between the film and Albert Camus' The Stranger. [3]
Tuesday, May 7, 2013
On the road; Not fade away
from 21 January 2013 issue of New Yorker:
On the road: "Walter Salles's pleasant but undistinguished adaptation of Jack Kerouac's novel." David Denby
Not fade away: "the movie is a psalm to those who, far from pursuing the path of the Rolling Stones, stayed trapped under a rock." David Denby
On the road: "Walter Salles's pleasant but undistinguished adaptation of Jack Kerouac's novel." David Denby
Not fade away: "the movie is a psalm to those who, far from pursuing the path of the Rolling Stones, stayed trapped under a rock." David Denby
Wednesday, May 1, 2013
Einstein's Jewish science
Judith Goldsmith, a favorite Hewlett Woodmere patron, asked for this book. She always has interesting questions and requests; always. O, for more such patrons.
Einstein's Jewish science : physics at the intersection of politics and religion
Einstein's Jewish science : physics at the intersection of politics and religion
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