Though bad things happen, and Boswell conjures menace with ease, the conclusion of the story will frustrate or please, depending upon your feelings about literary conceits; conceits Boswell handles masterfully. Boswell displays immense talent for characterization and observation, the narrator moving seamlessly among more than a dozen named characters, all with some connection to the haunted and impulsive Candler. Time is elastic, the fate of one character suspended while Boswell moves his attention back to follow a different character through the same few days, hours or minutes. Boswell makes only one misstep in a novel that seems guaranteed to deliver pleasure: Karly Hopper, a client at the rehab center, is drop-dead gorgeous and developmentally disabled, but only enough to make her laugh at everything and flirt with everyone. She's less a character than a waking wet dream, and her redemption--and whom she redeems--is too pat. Boswell (The Heyday of Insensitive Bastards, 2009, etc.), recipient of two NEA Fellowships, a Guggenheim Fellowship and a PEN West Award for Fiction, shares the Cullen Chair in Creative Writing at the University of Houston with his wife, writer Antonya Nelson. An impressive work. +
